Architecture of white supremacy still evokes pain

In this Thursday, Jan. 7, 2016 photo, a woman stands in the doorway of then new Historic Colored Entrance at the Lyric Theatre, in Birmingham, Ala. Preservationists had to decide whether to keep reminders of The Lyrics discarded color line before they unveiled an $11 million restoration of the 102-year-old theater, which had been closed for decades. In this case, they chose to highlight the history, installing a glass door with the etched words Historic Colored Entrance in the lobby wall so patrons can peer into the past. (AP Photo/Brynn Anderson)
In this Thursday, Jan. 7, 2016 photo, a woman stands in the doorway of then new Historic Colored Entrance at the Lyric Theatre, in Birmingham, Ala. Preservationists had to decide whether to keep reminders of The Lyrics discarded color line before they unveiled an $11 million restoration of the 102-year-old theater, which had been closed for decades. In this case, they chose to highlight the history, installing a glass door with the etched words Historic Colored Entrance in the lobby wall so patrons can peer into the past. (AP Photo/Brynn Anderson)
photo In this Thursday, Jan. 7, 2016 photo, a view of the marquee is seen of the Lyric Theatre, in Birmingham, Ala. Preservationists had to decide whether to keep reminders of The Lyrics discarded color line before they unveiled an $11 million restoration of the 102-year-old theater, which had been closed for decades. In this case, they chose to highlight the history, installing a glass door with the etched words Historic Colored Entrance in the lobby wall so patrons can peer into the past. (AP Photo/Brynn Anderson)

BIRMINGHAM, Ala. - Growing up in the 1950s, William Bell had to enter Birmingham's segregated Lyric Theatre though a side entrance, marked "COLORED," that was walled-off from the elegant lobby. He climbed a dimly lit stairwell to watch movies from the steep balcony where black patrons had to sit for generations.

Now the mayor of Birmingham, Bell recalls the Lyric's beauty, but also the way it isolated black people.

The inequity built into The Lyric Theatre's very architecture is a painful reminder of the city's ugly past as one of the most segregated places in America. But it also serves as a living history lesson, a symbol of how the Deep South has changed since the courts ended discriminatory Jim Crow laws.

Preservationists had to decide whether to keep reminders of The Lyric's discarded color line before they unveiled an $11 million restoration of the 102-year-old theater, which had been closed for decades. In this case, they chose to highlight the history, installing a glass door etched with the words "Historic Colored Entrance" in the lobby wall, so that patrons can peer into the past.

Across the South, people are struggling with similar questions: What does a changing region do with the vestiges of back-alley service windows, segregated waiting rooms, dual water fountains and abandoned schools that once formed the skeleton of a society built on oppression?

Northern states have such reminders, too. A black heritage trail in Portsmouth, N.H., includes all-black burial grounds and a plaque explaining that blacks had to sit in designated pews in New England churches through the mid-1800s. In Detroit, murals decorate a 6-foot-tall concrete wall built in 1941 to separate a new development meant for whites from an existing black neighborhood.

But the issue has become particularly acute in the South, where millions still remember living through segregation. More so than in the past, many older people and younger generations feel a need now to discuss the legacy of Jim Crow, said Robert Weyeneth, a University of South Carolina history professor who specializes in preservation.

"It has become more complicated today because people are more willing to think about the preservation of the architecture of white supremacy," Weyeneth said. "Initially, no one wanted to save these things."

It makes some people uncomfortable to be reminded of segregation at the Lyric, but the mayor believes people must see history as it really was, even if that means glancing up at the segregated balcony where he sat as a young boy. The ornate theater was beautiful, he recalls, but blacks up there could never mingle with the white patrons far below.

"The best seats were on the front row of the balcony because you could flick popcorn or peanuts down and it would land in their hair," said Bell, now 66, grinning at the memory.

"We should not shield ourselves from our past," he added.

Some other places where communities have had to come to terms with the physical reminders of segregation:

OAKLAND CEMETERY, ATLANTA

Atlanta's Oakland Cemetery, with 70,000 graves dating to 1850, shows segregation was meant to last eternally in the Jim Crow South, and operators don't shy away from its history.

The city-owned cemetery was divided by race for generations until the City Council ended the practice in 1963. Today, some black people are buried in previously all-white sections, including Atlanta's first black mayor, Maynard Jackson, who died in 2003 and lies in an ivy-covered grave.

Explaining this segregated past is part of the educational mission at Oakland, said executive director David Moore. A brochure, guided tours and audio exhibits explain the cemetery's black section, which holds about 12,000 graves, and signs denote the black section, a Jewish section and a mixed-race "Potter's Field."

A visitor once complained the story of slave burials and segregation was "sad" and shouldn't be discussed. Moore disagrees.

"Cemeteries provide a great place for people to look and try to figure out what happened before," he said.

photo This Wednesday, Jan. 27, 2016 photo shows a sign marking the entrance to the colored area at the Montpelier Train Depot segregation exhibit in Orange, Va. Preservationists at President James Madisons Montpelier estate, where the white-and-yellow depot is located, decided to keep the segregated waiting rooms when the structure was renovated in 2010. (AP Photo/Steve Helber)

MONTPELIER TRAIN DEPOT ORANGE, VA.

Built in 1910 when laws prevented whites and blacks from mingling in many public spaces across the South, the Montpelier Train Depot at Orange, Va., was constructed with separate waiting rooms for whites and blacks. Preservationists at President James Madison's Montpelier estate, where the white-and-yellow depot is located, decided to keep the rooms as they were during a 2010 renovation.

The depot remains an active U.S. Post Office, and some favored taking down the "WHITE" and "COLORED" signs hanging over the waiting room entrances. Instead, the depot's exhibits explain the history of "separate but equal" laws and their effects on black residents.

JONES COUNTY COURTHOUSE ELLISVILLE, MISS.

Metal plaques attached to two concrete water fountains outside the Jones County Courthouse in Ellisville, Miss., hide an ugly truth: one fountain was exclusively for whites and the other for blacks.

The National Association for the Advancement of Colored People sought the removal of the fountains in 1989, calling them a painful reminder of segregation, but the white-controlled board of supervisors refused. Instead, officials plastered over the "COLORED" and "WHITE" inscriptions, which reappeared once rain washed away the plaster.

County leaders then decided to cover the old racial inscriptions with plaques denoting the year the courthouse was built, 1908. Today, the twin water fountains still flank the courthouse stairs. Nearby on the lawn stands a monument to Confederate veterans.

ROSENWALD SCHOOLS REGIONWIDE

Philanthropist Julius Rosenwald spurred the construction of more than 5,300 schools for blacks across the South over a two-decade period ending in 1932. Efforts to save the buildings are spotty.

Rosenwald built the schools at the urging of black leader and educator Booker T. Washington, who founded Tuskegee University in rural east Alabama and had a firsthand view of the inherent inequality of "separate but equal" schools for blacks and whites. Rosenwald's schools bridged a gap that white-controlled governments wouldn't fill.

Today, some communities and groups have embraced the preservation of Rosenwald schools, typically wood-frame structures built along rural roads. The National Trust for Historic Preservation estimates that fewer than 450 survive today.

Upcoming Events