"Richard Jewell" is a typically strong late-period Clint Eastwood docudrama that balances grand American themes while captivatingly dramatizing the villainization of the Atlanta Olympics bombing hero, only to needlessly tarnish itself with a wanton and unfounded depiction of a female journalist at the center of the 1996 media storm.

Here are the Top 10 movies in Chattanooga this weekend based on audience ratings on RottenTomatoes.com.

Todd Haynes' "Dark Waters," about the prolonged (and ongoing) legal fight to uncover the environmental damage of cancer-inducing "forever chemicals" and hold their corporate makers accountable, is a sober and ominous docudrama.

Rarely has a Tinder date ended so poorly than the one shown in "Queen & Slim." Even more rarely has a bad Tinder date produced such a great film.

Rarely has a movie's title been so apt as that of "Waves," a film that makes you feel like you've been knocked flat over by a fierce current — only to be rescued by a gentle, soothing flow of warm surf that arrives in the nick of time.

For a blind date, we could hardly do better than Helen Mirren and Ian McKellen.

Believers of all religions can agree on one thing: the Vatican is an unlikely place for a bromance.

When Harry Burns met Sally Albright, George H.W. Bush was president and Taylor Swift hadn't been born.

Rian Johnson's "Knives Out" unravels not just a good old-fashioned murder mystery but the very fabric of the whodunit, pulling at loose threads until it has intricately, devilishly woven together something new and exceedingly delightful.

Director Marielle Heller frames "A Beautiful Day in the Neighborhood" as if it were an episode of "Mister Rogers' Neighborhood," with miniature sets of cars and bridges to illustrate New York and Pittsburgh.

Cops might do well to position their speed traps near movie theaters wherever the new film "Ford v Ferrari" is playing. They might fund their whole year's budget busting speeders peeling out of the parking lots.

If you're watching a big studio film featuring a female ensemble, there is a 50% chance that there is going to be some monologue about how men underestimating women is both a truism and an advantage.

Picture this: A princess is in distress. It looks bad. Her dashing young man rides up in the nick of time and says, "Here I am to save you, my dear!" Actually, he doesn't. He just says, "I'm here. Whaddya need?" She has a plan, and off they go.

Here are the top five rated movies playing in Chattanooga this weekend ranked by audience scores on RottenTomatoes.com.

Here, again, is Johnny.

"Honey Boy" will break your heart.

Noah Baumbach is a keen observer of life's banalities. His films revel in the strange and wonderful and awkward things people say and do in the course of the day. But his real magic is turning ordinariness into cinema.

The runtime is the most boring aspect of Martin Scorsese's "The Irishman" to dwell on.

Jonathan Lethem's novel about a private eye with Tourette's syndrome, "Motherless Brooklyn," starts with a brilliant burst of uncontrolled profanity and an explanation of its protagonist's condition.

Legendary American heroine that she is, there are certain things for which Harriet Tubman is overdue. One is her spot on U.S. currency: Google "Tubman" and "$20" and "Trump." Another is a major feature film based on her life: Google "Tubman" and "Hollywood" and "why so long?"

Who will save the "Terminator" franchise from itself? Not "Deadpool" director Tim Miller, producer James Cameron or even Linda Hamilton, it turns out.

Paul Feig's "Last Christmas" looks every bit like your standard holiday romantic-comedy, but it has some surprises under its gauzy wrapping.

The first thing director Roland Emmerich should do after his latest movie "Midway" hits theaters is apologize.