Casey Phillips has worked as a features reporter in the Life department since May 2007.
He writes about entertainment, consumer technology, animals and news of the weird. Casey hails from Knoxville and earned a bachelor of science degree in journalism and a bachelor of arts in German from Middle Tennessee State University, where he worked as the features editor for the student newspaper, Sidelines.
Casey's writing has earned numerous accolades, including first and second place awards for technology reporting from the regional Green Eyeshade Awards (in 2012 and 2013), the East Tennessee Society of Professional Journalists Award of Excellence for Reviewing/Criticism (in 2007 and 2011) and frequent recognition from the Tennessee Press Association.
In his spare time, he is an Irish musician, video game fanatic, movie junkie, avid reader and all-around geek extraordinaire. He also enjoys exercising, cooking and puppies, but not at the same time.
Recent Stories »
It’s a difficult time in any child’s life to realize that — despite parents’ assurances — the chances that they’ll become a princess or a superhero are on the “none” side of slim.
Earlier this year, Bexy Ribeiro decided enough was enough.
I’ve always found the concept of masked superheroes confusing.
When Frank Mangan's daughter Emma was born 14 years ago, he was overjoyed.
For many amateur photographers, upgrading from a point-and-shoot camera to a digital single-lens reflex — or DSLR — can feel like auditing a course on differential calculus.
For most children, homework and chores are just facts of life, obligatory obstacles to overcome on the path to adulthood.
While visiting my normal circuit of pop-culture websites last week, I ran across an article that reignited my fervor for campaigning against the rampant abuse of a certain musical term.
Especially in America — and especially among bands — there’s always been a certain romantic appeal to the idea of rebelling against convention and forging one’s own path.
Any band rooted in the improvisation-heavy approach of jazz or jam music has to be flexible enough to roll with the punches to play reactively and in-the-moment.
When James Cameron’s science-fiction blockbuster “Avatar” hit theaters in 2009, its record-setting $2.8 billion take at the box office seemed — to some — to herald 3-D films as the next great cinematic evolution.