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Sunday, November 15, 2026Nov 15

Gonzalez Inarritu part of Mexican cinema’s new golden age

FILE - In this Feb. 22, 2015, file photo, Alejandro Gonzalez Inarritu attends the 87th Academy Awards - 21st Century Fox and Fox Searchlight Oscar Party at BOA Steakhouse in West Hollywood, Calif. Movie buffs in Mexico are abuzz with the possibility native son Alejandro Gonzalez Inarritu could snag the 2016 directing Oscar for “The Revenant,” which would be an unprecedented third in a row by Mexicans. (Photo by Omar Vega/Invision/AP, File)
FILE - In this Feb. 22, 2015, file photo, Alejandro Gonzalez Inarritu attends the 87th Academy Awards - 21st Century Fox and Fox Searchlight Oscar Party at BOA Steakhouse in West Hollywood, Calif. Movie buffs in Mexico are abuzz with the possibility native son Alejandro Gonzalez Inarritu could snag the 2016 directing Oscar for “The Revenant,” which would be an unprecedented third in a row by Mexicans. (Photo by Omar Vega/Invision/AP, File)

MEXICO CITY (AP) – Movie buffs in Mexico are abuzz with the possibility native son Alejandro Gonzalez Inarritu could snag this year’s directing Oscar for “The Revenant,” which would be an unprecedented third in a row by Mexicans.

If that’s not enough for Mexicans to cheer about during Sunday’s Academy Awards show, Emmanuel “Chivo” Lubezki is a good bet to win his third cinematography Oscar in a row. That would be a first for an individual of any nationality.

Together with directors Guillermo del Toro and Alfonso Cuaron, they’re part of a new Mexican generation that is responsible for many of Hollywood’s most critically acclaimed and commercially successful films these days.

“They are at the head of a generation that demarcated a before and an after in Mexican cinema,” said Jose Antonio Valdes, deputy director for information and special projects at Mexico’s governmental film institute, the Cineteca Nacional.

“They come from a generation that has a different mentality, where the idea of the global filmmaker was already a reality, and I think we are seeing that now,” Valdes said. “Mexican filmmakers no longer think in terms of Mexico; they think globally.”