Skip to main content
Friday, November 13, 2026Nov 13

Ursula K. Le Guin, Ann Patchett voted into arts academy

FILE - This Oct. 17, 2013, file photo shows Mailer Prize for Distinguished Writing recipient Junot Diaz at the 5th annual Norman Mailer Center benefit gala in New York. Authors Ursula K. Le Guin, Junot Diaz and Ann Patchett are among this year's 14 inductees into the American Academy of Arts and Letters, the academy told The Associated Press on Monday, Feb. 27, 2017. (Photo by Evan Agostini/Invision/AP, File)
FILE - This Oct. 17, 2013, file photo shows Mailer Prize for Distinguished Writing recipient Junot Diaz at the 5th annual Norman Mailer Center benefit gala in New York. Authors Ursula K. Le Guin, Junot Diaz and Ann Patchett are among this year's 14 inductees into the American Academy of Arts and Letters, the academy told The Associated Press on Monday, Feb. 27, 2017. (Photo by Evan Agostini/Invision/AP, File)

NEW YORK (AP) – Not even an honorary National Book Award kept Ursula K. Le Guin from being surprised by her latest tribute: membership in the American Academy of Arts and Letters.

“My reputation was made as a writer of fantasy and science fiction, a literature that has mostly gone without such honors,” she told The Associated Press recently.

Known for such classics as “The Left Hand of Darkness” and “The Dispossessed,” Le Guin has won numerous science fiction and fantasy awards, but only in recent years has she received more literary recognition, notably a National Book Award medal in 2014. The arts academy, an honorary society with a core membership of 250 writers, artists, composers and architects, once shunned “genre” writers such as Le Guin. Even such giants as science fiction writer Ray Bradbury and crime novelist Elmore Leonard never got in.

Academy member Michael Chabon, the Pulitzer Prize-winning novelist, advocated for Le Guin.

“As a deviser of worlds, as a literary stylist, as a social critic and as a storyteller, Le Guin has no peer,” he wrote in his recommendation, shared with the AP, that she be admitted. “From the time of her first published work in the mid-1960s, she began to push against the confines of science fiction, bringing to bear an anthropologist’s acute eye for large social textures and mythic structures, a fierce egalitarianism and a remarkable gift of language, without ever renouncing the sense of wonder and the spirit of play inherent in her genre of origin.”