Essays on women of country music go beyond traditional narratives

NASHVILLE – There’s an ongoing discussion among music writers, musicians and music fans about how female artists are treated compared with their male counterparts. Some common examples include referring to a “songstress” or an “all-female band,” or focusing more on a woman’s appearance, weight, marital status or children.

In Nashville, that debate is front and center as country radio is dominated by male voices, and women are being shut out of major country music awards. But a new collection of personal essays on the transformative impact of women in country music aims to change the narrative. Edited by music critic and consultant Holly Gleason, “Woman Walk the Line: How the Women in Country Music Changed Our Lives,” published by the University of Texas Press, isn’t like one of those “women in music” special editions of a magazine. Nor is it a history book.

Each of the 27 essays focuses on the experience of when music was a savior, an inspiration or an acknowledgement of a deep and personal truth. A 17-year-old Taylor Swift recognized the shining light inside another child star, Brenda Lee. Rosanne Cash delivered a heartbreaking eulogy to her stepmother, June Carter Cash. Author and songwriter Alice Randall learned about theft and racism in the music business from Lil Hardin.

“Women artists take more chances,” Gleason said. “I think they tend to dig deeper with their content. I think they are more concerned with the depth of the human condition and also the nuances of it.”