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Saturday, November 14, 2026Nov 14

New this week: John Legend, ‘Serpent Queen’ and ‘Pinocchio’

This combination of images shows promotional art for "Edge of the Unknown with Jimmy Chin," a series premiering Sept. 5 on National Geographic, left, "Pinocchio," a film premiering Sept. 8 on Disney+, center, and "The Serpent Queen," a series premiering Sept. 11 on Starz. (National Geographic/Disney+/Starz via AP)
This combination of images shows promotional art for "Edge of the Unknown with Jimmy Chin," a series premiering Sept. 5 on National Geographic, left, "Pinocchio," a film premiering Sept. 8 on Disney+, center, and "The Serpent Queen," a series premiering Sept. 11 on Starz. (National Geographic/Disney+/Starz via AP)

Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music platforms this week.

MOVIES

— A race between two “Pinocchio” films begins with Robert Zemeckis’ adaptation ahead of Guillermo del Toro’s by a nose. On Thursday, Zemeckis’ animated fantasy of the classic Italian fable will premiere on Disney+. Next month, Del Toro’s stop-motion “Pinocchio” will debut at the London Film Festival and eventually land on Netflix on Dec. 9. For now, we have Zemeckis’ take on the old tale with Tom Hanks as the voice of Geppetto and Cynthia Erivo as the Blue Fairy.

— A trio of the summer’s biggest box-office hits are landing on streaming platforms. On Thursday, Taika Waititi’s whimsically deconstructive “Thor: Love and Thunder” arrives on Disney+. The 29th film in the Marvel cinematic universe, and possibly the Marvel movie most distinctively the work of its filmmaker, “Love and Thunder” follows-up Waititi’s “Thor: Ragnarok.” In his review the AP’s Mark Kennedy wrote: “If you thought that was bananas filmmaking, its sequel is the whole fruit basket.”

— “Jurassic World: Dominion” (Peacock) and “Elvis” (HBO Max) are also streaming. Colin Trevorrow’s “Dominion,” which has nearly grossed $1 billion at the box office, is available in both its theatrical cut and and an extended edition with 14 more minutes and an alternative ending. In her review, AP Film Writer Lindsey Bahr praised some of its sequences but called the sixth film in the franchise “a chaotic mishmash on an epic scale.” Baz Luhrmann’s carnivalesque Elvis Presley biopic, starring breakthrough actor Austin Butler and Tom Hanks, also doesn’t skimp on scale. In her review, Bahr called it “gloriously messy — a maximalist opera of contradictions, styles, truths, myths, memories and headlines.”