Here’s a collection curated by The Associated Press’ entertainment journalists of what’s arriving on TV, streaming services and music and video game platforms this week.
MOVIES
— The Oscar-nominated “All the Beauty and the Bloodshed” was one of the high points in documentary in the past year. In it, Laura Poitras chronicles the pioneering photographer Nan Goldin, juxtaposing an intimate survey of her groundbreaking work in 1970s and 1980s New York and her contemporary crusade against the Sackler family, owners of the Oxycontin-maker Purdue Pharma. Goldin, who has herself wrestled with addiction, led the campaign to eradicate the Sackler name from many of the world’s top museums. Though the film didn’t win at the Oscars — something Goldin told me she was surprised to find she wanted — it took the top prize of the Venice Film Festival. In her review, AP Film Writer Lindsey Bahr called the film” a “holistic portrait of an artist’s battle cry.” After debuting Sunday, March 19, “All the Beauty and the Bloodshed” is available to stream on HBO Max.
— “Top Gun: Maverick” did come away with an Academy Award, for best sound. But one of the biggest box office hits of the year otherwise struck out at the Oscars. After an uncommonly long run in theaters, a lucrative stop on video on demand and a streaming launch on Paramount+, “Top Gun Maverick” arrives on a larger streaming platform Friday, March 24th, when it touches down on Amazon’s Prime Video. In his review, AP Entertainment Writer Mark Kennedy called “Maverick” “a textbook example of how to make a sequel.”
— This month, the Criterion Channel has been paying tribute to the greatest comic artist of the 20th century: Buster Keaton. With five features and more than a dozen shorts, the series is an unbeatable feast. You can’t go wrong but a few highlights: Keaton’s glorious Olympic finale in “College”; his deft ladder balancing act in “Cops”; and his escape, through a high window, from an angry police chief-slash-furious-father in “The Goat.” With apologies to Charlie Chaplin and Harold Lloyd, nobody did it better.