This image released by shows Miles Teller, from left, Michael B. Jordan and Zac Efron in a scene from “That Awkward Moment.” (AP Photo/Focus Features, Nicole Rivelli)By Mick LaSalle
“That Awkward Moment” gets off to an unpromising start, when Zac Efron, talking in voiceover, tells us that he has been sitting on a park bench for two hours, that it’s February, and he’s freezing. Meanwhile, he is dressed like it’s April and registering no distress at all, no shivering, no red nose, no miserable expression. And so the questions arise: Has anyone involved in the production ever visited New York in February? Will the whole movie be like this — unobservant, full of empty gestures and pointless narration?
And the answer is no. “That Awkward Moment” is an entertaining movie that, despite some big flaws — especially near the finish — does the hard work of showing two relationships originating and growing. It’s an attempt to tell a modern story about how love is done in 2014, and though it ultimately leans too much on genre cliché, it reveals some of the tensions that today’s young adults experience in their romantic lives — the impersonality of hook-up culture in collision with the human desire and need for intimacy.
The movie revolves around three friends, all in their late 20s, and the “awkward moment” of the title refers to the one that inevitably it happens to after several weeks of dating: One lover says to the other, “So . . .” — followed by a question such as “Where are we heading?” or “What are we doing?” The two single guys in the triumvirate of buddies, Jason (Zac Efron) and Daniel (Miles Teller) want to avoid romantic entanglements and just have fun. On the periphery, there’s a married pal (Michael B. Jordan), who has just found out that his wife is unfaithful and wants a divorce.
Both Teller and Efron play breezy guys, who are very good at funny banter. Actually, it’s possible that writer-director Tom Gormican has made their dialogue interchangeable, and it’s only because Efron and Teller are so different in style that we don’t hear the similarities. Efron is an old-time leading man, an updated Tyrone Power, while Teller is a sly comedian. As it is in the nature of romantic comedies that love must be affirmed, both men start dating women that they care about, and the saving virtue of the movie is that the audience also cares and is made to understand the mutual attractions.