A preliminary drawing for “Place in the Woods” by Carol Mickett and Robert Stackhouse incorporates watercolor, graphite and iridescent brown ink on watercolor paper. The resulting sculpture, made of bronze and brass, was placed at Renaissance Park in 2010.A new exhibit at the Hunter Museum of American Art highlights some of the city’s outdoor sculptures in their earliest forms. “Open 24 Hours” invites thought on how an object and its placement can change a viewer’s perception of a space since public art is meant to respond to the environment for which it is designed and engage its audience on a large scale.
Featured are the indoor works — prints, preparatory drawings, maquettes and watercolors — by the artists responsible for several local landmarks, along with other major American sculptors, including Dennis Oppenheim, Mark di Suvero and Richard Hunt.
The Hunter’s collection of outdoor sculptures includes some as close as the garden outside the museum and others sited around the city.
Oppenheim’s “Arriving Home,” for instance, commands the corner of Miller Plaza at Market Street and M.L. King Boulevard.
“Arriving Home,” a sculpture by Dennis Oppenheim at Miller Plaza in downtown Chattanooga, is among the public installations in the Hunter Museum of Art collection. The 2007 piece is constructed of steel, Lexan (a thermoplastic), perforated metal and rainbow acrylic. It measures 12 feet high by 12 feet wide by 5 feet deep.Hannah Legg, director of communications for the Hunter, says the artist proposed the piece because of Miller Plaza’s popularity and central location in downtown as a site visible to people as they travel home from work.