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Tuesday, November 10, 2026Nov 10

Bluegrass music patriarch Ralph Stanley dies at 89

This This March 11, 2011, file photo shows Ralph Stanley backstage at the Grand Ole Opry House in Nashville, Tenn. Appalachian music patriarch Stanley, who helped expand and popularize the bluegrass sound, has died. He was 89. His publicist, Kirt Webster, says Stanley died Thursday, June 23, 2016. (AP Photo/Ed Rode, File)
This This March 11, 2011, file photo shows Ralph Stanley backstage at the Grand Ole Opry House in Nashville, Tenn. Appalachian music patriarch Stanley, who helped expand and popularize the bluegrass sound, has died. He was 89. His publicist, Kirt Webster, says Stanley died Thursday, June 23, 2016. (AP Photo/Ed Rode, File) This This March 11, 2011, file photo shows Ralph Stanley backstage at the Grand Ole Opry House in Nashville, Tenn. Appalachian music patriarch Stanley, who helped expand and popularize the bluegrass sound, has died. He was 89. His publicist, Kirt Webster, says Stanley died Thursday, June 23, 2016. (AP Photo/Ed Rode, File)

NASHVILLE, Tenn. (AP) – Ralph Stanley, a patriarch of Appalachian music who with his brother Carter helped expand and popularize the genre that became known as bluegrass, died Thursday. He was 89.

Stanley died at his home in Sandy Ridge, Virginia, because of difficulties from skin cancer, publicist Kirt Webster said.

Stanley was born and raised in Big Spraddle, Virginia, a land of coal mines and deep forests where he and his brother formed the Stanley Brothers and their Clinch Mountain Boys in 1946. Their father would sing them old traditional songs like “Man of Constant Sorrow,” while their mother, a banjo player, taught them the old-time clawhammer style, in which the player’s fingers strike downward at the strings in a rhythmic style.

Heavily influenced by Grand Ole Opry star Bill Monroe, the brothers fused Monroe’s rapid rhythms with the mountain folk songs from groups such as the Carter Family, who hailed from this same rocky corner of Virginia.

The Stanleys created a distinctive three-part harmony that combined the lead vocal of Carter with Ralph’s tenor and an even higher part sung by bandmate Pee Wee Lambert. Carter’s romantic songwriting professed a deep passion for the rural landscape, but also reflected on lonesomeness and personal losses.