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Thursday, October 29, 2026Oct 29

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‘Megalopolis’ flops, ‘The Wild Robot’ soars at box office

Aubrey Plaza, from left, Francis Ford Coppola, and Nathalie Emmanuel attend the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (Photo by Evan Agostini/Invision/AP)
Aubrey Plaza, from left, Francis Ford Coppola, and Nathalie Emmanuel attend the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (Photo by Evan Agostini/Invision/AP) Aubrey Plaza, from left, Francis Ford Coppola, and Nathalie Emmanuel attend the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (Photo by Evan Agostini/Invision/AP)


NEW YORK (AP) — Francis Ford Coppola’s decades-in-the-making, self-financed epic “Megalopolis” flopped with moviegoers, while the acclaimed DreamWorks Animation family film “The Wild Robot” soared to No. 1 at the weekend box office.

“The Wild Robot,” Chris Sanders’ adaptation of Peter Brown’s bestseller, outperformed expectations to launch with $35 million in ticket sales in U.S. and Canada theaters, according to studio estimates Sunday. “Wild Robot” was poised to do well after critics raved about the story of a shipwrecked robot who raises an orphan gosling. Audiences agreed, giving the film an A CinemaScore. “Wild Robot” is likely set up a long and lucrative run for the Universal Pictures release.

Paul Dergarabedian, senior media analyst for Comscore, predicts “The Wild Robot” “may take a page from the ‘Elemental’ playbook by opening to respectable box office and then looking toward long-term playability.” Pixar’s “Elemental,” which like “The Wild Robot” wasn’t a sequel, debuted with a modest $30 million but went on to gross nearly $500 million worldwide.

Family movies, led by the year’s biggest hit in “Inside Out 2,” have particularly powered the box office this year. David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment, said the genre should reach $6 billion worldwide in 2024 — which, he noted, “is back to pre-pandemic levels.”